' However, when the novel becomes a reality, he is the only one who knows how the world will end. Dokja utilizes his newfound understanding to alter the path of the story and the world as he knows it.
Then one day the story comes to an end...and so does the world. People all around the globe suddenly find themselves being massacred by horrific monsters or pitted against each other in sadistic scenarios straight out of the novel.
... omniscient chief.”3 In effect, M condenses whatever varying perspectives or agendas that might exist within the intelligence services and wider state apparatus into a singular, paternalistic viewpoint alongside which the series is ...
... omniscient narrator) who sees through the camera. The audience is placed in ... viewpoint is followed by the disembodied camera) attempts to incite 'situational identification' in readers ... 1, recto) shows that the artist varies the ...
... reader is left in a complete fog with regard to the really vital question whether , in spite of assurances to the contrary , he is not confronted here by a materialistic or pantheistic viewpoint ... omniscient , " omnipotent , omnipresent ...
... Volume 1, Chapter 23 of Tristram Shandy, as well as in the general attitude ... reader as being naïve. Yorick is a great reader, an inveterate interpreter. His ... viewpoint on Yorick, no second omniscient narrator. The world is Yorick's ...
... omniscient point of view, of the fact that every position implied a ... viewpoint. The conceptual structure of the camera obscura is a parallel reconciliation of a limited (or monadic) viewpoint ... vol. 1, p. 340. 17 Hans 38 JONATHAN CRARY.
... viewpoint of the not - always - reliable heroine is part of the theme of ... omniscient narrator , the nosey neighbour , to present clues of which he ... 1 , chapter 5 , and , at the end of the book , a reminder of the fictionality of the ...
... 1. The Implied Author/Narrator The IMPLIED AUTHOR or narrator of Matthew is, in the words of Kingsbury, reliable ... he is 'omnipresent' and 'omniscient' as far as the world of his story is concerned; speaks in the 'third person ...
Vol. I: Foundations. Vol. II.1/II.2: Configuration. Vol. III: Continuity Christiane Reitz, Simone Finkmann. identity of the scenes he is seeing from future Roman history, just as he needs Anchises to tell him the identities of the ...
